In "La cantata del santo bevitore",
Angelo Folletto wrote:
[...] the opera with its private grief ("sono un povero uomo che soffre e ha sempre pianto da solo -
I am a poor man who suffers and has always wept alone" sings Sly in the final tragic self-portrait) comes
alive, above all, in the strength given to the portrayal of the 'defeated' protagonist. As in 1998 in
Zurich, where this production was born [...] José Carreras who has regained his declamatory powers and
conveyed powerful emotion, even if he was a bit 'sparing' with his vocal coloring hit the mark as the
protagonist.
In "Carreras un poeta inaugura il Regio",
Armando Caruso wrote:
[...] Undoubtedly all merit goes to the Teatro Regio and to José Carreras in this version of the
"Legend of the Sleeper Awakened". They have opened the archives of 20th century opera and returned it
to the stage, and in this case, with a protagonist worthy of all respect: José Carreras, who had been
absent from the Regio for a decade and now re-appears at the height of an interpretive maturity that
merits great attention. [...] And it is in his moving from one state of mind to another that one can
admire the artistry of Jose Carreras, an intelligent artist, cultured and sensitive, admired around
the world, who has triumphantly brought Sly to Barcelona and Zurich. [...]
In "Quando la lirica si fa teatro: Carreras convince con Sly",
Paolo Isotta wrote:
[...] The pivot of the drama and also of the music is the tenor José Carreras. Few can act like he
can: few know how to say so much with only a movement of the eyes or a simple gesture. If of Tamino the
Priest [a reference to Mozart's Magic Flute] one could say "He is more than a prince, he is a
man", of Carreras we can definitely say that he is more than a tenor, he is a personality. That there
may be others who can sing better than him matters little. What younger tenor possesses a diction so
clear and so touching, in fact, as one maestro has described it, such a perfectly articulated sound that
in his pronunciation the words and the music are as one? [...]